Chu Hsi-ning
Chu Hsi-ning | |||||||||
|---|---|---|---|---|---|---|---|---|---|
| Born | Chu Ch'ing-hai June 16, 1927 Suqian, Jiangsu, Republic of China | ||||||||
| Died | March 27, 1998 (aged 70) Taipei, Taiwan | ||||||||
| Language | Chinese | ||||||||
| Spouse | Liu Musha | ||||||||
| Children | Chu T’ien-wen, Chu T’ien-hsin, and Chu Tien-yi | ||||||||
| Chinese name | |||||||||
| Chinese | 朱西甯 | ||||||||
| |||||||||
| Birth name | |||||||||
| Chinese | 朱青海 | ||||||||
| |||||||||
Chu Hsi-ning (born Chu Ch'ing-hai; 16 June 1927 – 27 March 1998) was a Chinese writer based in Taiwan.
His daughters Chu T’ien-wen and Chu T’ien-hsin are also famous writers.
Life
[edit]Chu was born in Suqian, China. In 1945, he entered an art college in Hangzhou, but dropped out to join the nationalist army in the struggle against the communists. He reached the rank of colonel. He was one of the soldiers who accompanied Chiang Kai-shek to Taiwan in 1949. He came to prominence as a writer in the 1950s and remained productive until his death.
He can be grouped with anti-communist writers or the soldier writers; his fiction displays an interest in the impact of modernity on ordinary people and in the clash of social forces. These are concerns he inherited from the May Fourth Movement and the writers of the 1930s. However, Chu Hsi-ning, unlike many Chinese writers of the 1930s, was a conservative. His stories reinforce traditional communal values and a morally Christian worldview.
Chu is the father of writers Chu T’ien-wen and Chu T’ien-hsin, together with whom he participated in the Three-Three series of publications in the late 1970s. The "threes" stand for the Three Principles of the People and for the Christian trinity.
Works translated to English
[edit]| Year | Chinese title | Translated English title | Translator |
|---|---|---|---|
| 1959 | 大布袋戲 | "The Great Puppet Show"[1] | Hua-yuan Li Mowry |
| 1961 | 鐵漿 | "Molten Iron"[2] | Nancy Chang Ing |
| 狼 | "The Wolf" | Hou Chien[3] | |
| 1963 | 破曉時分 | "Dawn" | |
| 1969 | 冶金者 | "The Men Who Smelt Gold"[4] | George Kao |
| 多少舊事煙塵 | "Remembrances of Days Gone By"[5] | Wu Wang Heng-ling | |
| 1973 | 將軍與我 | "The General"[6] | David Steelman |
| 1989 | 我在北京 | "I Was in Peking June 3–6, 1989"[7] | Daniel T. Hu |
"Dawn" was adapted into a 1968 film directed by Sung Tsun-shou and produced by Li Han-hsiang, starring Peter Yang.
References
[edit]- ^ The Chinese PEN, Autumn 1980.
- ^ The Ivory Balls & Other Stories. Mei Ya. 1970.
- ^ An Anthology of Contemporary Chinese Literature: Taiwan, 1949–74. National Institute for Compilation and Translation. 1975.
- ^ Renditions, Autumn 1973.
- ^ The Chinese PEN, Spring 1975.
- ^ Winter Plum: Contemporary Chinese Fiction. Chinese Materials Center. 1982. ISBN 0-89644-658-1.
- ^ The Chinese PEN, Autumn 1989.
| International | |
|---|---|
| National | |
| Academics | |
| People | |
| Other | |
  | This article about a Taiwanese writer is a stub. You can help Wikipedia by expanding it. |
- 1927 births
- 1998 deaths
- Writers from Suqian
- Chinese Christians
- 20th-century Chinese novelists
- Taiwanese male novelists
- Chinese male novelists
- Taiwanese people from Jiangsu
- Taiwanese male short story writers
- Chinese male short story writers
- 20th-century Taiwanese short story writers
- 20th-century Chinese male writers
- 20th-century Chinese short story writers
- Short story writers from Jiangsu
- Taiwanese people stubs
- Asian writer stubs